Tonight we visited the Minerva Cuevas preview show at the Cornerhouse. 'Landings' included instillations, projections, videos and wall paintings. Through these mediums the artist explored the relationship between nature and man. Using old magic lantern projectors with glass slides gave the scientific research an old cinematic value. http://www.cornerhouse.org/art/art-exhibitions/minerva-cuevas-landings
Subvocal
Friday, 2 March 2012
Monday, 27 February 2012
Work and Leisure at Manchester City Gallery
We attend the opening night of Mark Leckey's newest performance piece at the Manchester City Gallery. It was based around his ideas of mixing sound and sculpture, the sculpture he used was a steam press loaned by Ellenroad Engine House. This was our first encounter with a performance piece and we felt very engaged as we observed the mix of sound and object. He also made sounds throughout the performance, purely of his own vocals, adding another personal touch.
Although we acquired no photos or videos, here is a link to see the artist and piece.
Collaborative Work
We decided to experiment with projection, light and distortion using different materials. We made a conscious decision to not think of making a final outcome, just to use new techniques and any everyday material we had to hand. By working like this we did not limit our output and could progress on techniques and ideas we found most effective. We reflected on what these could represent and become if developed further. We enjoyed the fact that these pieces were open for interpretation and did not have a direct concept placed upon them.
Labels:
Lewis Davies,
Natalie Powell
The Cornerhouse - Contour States
This work is by Samantha Donnelly who explores our culture today and how the human form is objectified, especially the female body. With attachments to the media and popular culture, her material selection is key. We found as viewers, we could interact with the work and with her use of mirrors in the second photograph, we became part of the piece, making it a personal experience.
The Cornerhouse - Lost is Found
'Lost is Found' centered around the idea of finding something new and beautiful out of found objects which are mundane or redundant.
The first five photos are of Lucy Ridges' work. We find it interesting that the image shows only part of the subject, giving an unfinished look. This however is contrasted by the frames which make you think that these are the ideal photos the artist was working towards.
The sixth photos shows the work of Emily Speed. She made this piece whilst exploring the idea of the home being a containment, storing memories and remnants of the occupiers. We liked the set up of the piece, including the platform which looked like it was made from pieces of an old cupboard. The way this was set up , there seemed to be an element of balance bringing the fragility of the egg-shaped sculptures to our attention .
The seventh and eighth photos are of Jon Barraclough's endeavour into the traces of life through everyday mark making. The way he made these marks appealed to us as they came across as unplanned marks, which built up to resemble a familiar shape.
The last two images show Jessa Fairbrother's projection and projector set-up. Her work bases around femininity through different times, using Victorian novels as inspiration. We enjoyed the set-up but thought that it had very little links with 'Lost is Found' and with the surrounding pieces.
Saturday, 18 February 2012
The unknown
This in an extension of the previous video. It is a short moving image which in simple yet there is something interesting about the white circle which appears half way through. By uses zoom on the video camera I have created something which does not allow the viewer to hold on to anything which is familiar to them.
Through the tunnel
Whilst focusing on this idea of unknown finishing points I realise that a photograph itself is a finishing point. I want to push my tunnel pieces one step further and create a moving image. This piece is just a snippet which is very simple and basic. However, it is effective in the sense that it is more immersive for the viewer than a photograph.
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